By Adam Levine, David L. Culp
Brandywine Cottage is David Culp's liked two-acre Pennsylvania backyard the place he mastered the layout means of layering — interplanting many alternative species within the comparable sector in order that as one plant passes its height, one other takes over. the result's a nonstop parade of colour that starts with a tapestry of heirloom daffodils and hellebores in spring and ends with a jewel-like mix of Asian wildflowers on the onset of iciness.
The Layered Garden exhibits you ways to recreate Culp's majestic reveal. It begins with a easy lesson in layering — how you can decide upon the proper vegetation by means of realizing how they develop and alter through the seasons, find out how to layout a layered backyard, and the way to take care of it. to demonstrate how layering works, Culp takes you on a private travel via each one a part of his celebrated backyard: the wooded area backyard, the perennial border, the kitchen backyard, the shrubbery, and the walled backyard. The e-book culminates with a bankruptcy devoted to signature vegetation for all 4 seasons.
As functional because it is inspiring, The Layered Garden gives you specialist info gleaned from many years of exertions and shut remark. in case you proposal four-season backyard was once past your achieve, this ebook will enable you to in attaining that elusive, tantalizing aim.
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Brandywine Cottage is David Culp's liked two-acre Pennsylvania backyard the place he mastered the layout means of layering — interplanting many various species within the related region in order that as one plant passes its top, one other takes over. the result's a nonstop parade of colour that starts off with a tapestry of heirloom daffodils and hellebores in spring and ends with a jewel-like mix of Asian wildflowers on the onset of wintry weather.
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Additional resources for The Layered Garden: Design Lessons for Year-Round Beauty from Brandywine Cottage
From a gardener’s point of view, I would have little motivation to do any work once that peak had passed. And from a design point of view, it would be like listening to a cacophony rather than a symphony—which, like my garden, has its crescendos, its quiet spaces, and its movements, all carefully composed. Each section has multiple layers of interest, sometimes working in concert and at other times playing oΩ each other. It is the gradual, suspenseful revelation of the composition—the hallmark of any good piece of art—that I find most exciting.
29 I would not be happy with a garden in which everything bloomed at once. From a gardener’s point of view, I would have little motivation to do any work once that peak had passed. And from a design point of view, it would be like listening to a cacophony rather than a symphony—which, like my garden, has its crescendos, its quiet spaces, and its movements, all carefully composed. Each section has multiple layers of interest, sometimes working in concert and at other times playing oΩ each other.
I believe that any resourceful gardener can come up with a satisfying palette of plants that will thrive on any particular site. For me, some of the plants that thrive here turned out to be ones I already loved, like hellebores (along with many members of their family, Ranunculaceae). Others I tried after seeing them growing well in similar conditions elsewhere, and when they did well here too, I fell in love with them. In Italy, I saw Arum italicum thriving on a dry hillside, and I came home, planted it on my own dry hillside, and have loved it ever since.
The Layered Garden: Design Lessons for Year-Round Beauty from Brandywine Cottage by Adam Levine, David L. Culp