Read e-book online Genre Fission: A New Discourse Practice for Culture Studies PDF

By Marleen S. Barr

ISBN-10: 0877457034

ISBN-13: 9780877457039

What do Amsterdam prostitutes, NASA astronauts, cross-dressing texts, and Star Trek  characters have in common?  In Genre Fission, Marleen Barr wittily and eccentrically revitalizes cultural and literary concept by means of interpreting the issues the place such tremendously diverse different types meet, converge, and reemerge as whatever new.

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Additional info for Genre Fission: A New Discourse Practice for Culture Studies

Example text

Bellow’s narrator, who wishes to forget about remembering, tells a story about Harry Fonstein remembering that Billy Rose saved him from the Nazis. Rose views Fonstein’s reminiscences according to a fixed definition: he will not permit Fonstein personally to thank him. Like Rose, Bellow embarks upon a rescue mission. Fonstein “was alive today because a little Jewish promoter took it into his queer head to organize a Hollywood-style rescue” (27). Bellow, an eminent Jewish writer, took it into his head to promote women’s texts, to rescue them from being eradicated by patriarchal cultural mechanisms.

Lynn bridges the canonical divide between dead fathers and women’s texts when she at once becomes her dead father and causes his voice to emerge as a woman’s text. Michael’s Shakespeare’s People exemplifies the literature of exhaustion; Lynn’s Shakespeare for My Father exemplifies the literature of feminist replenishment. Lynn, a daughter clad in the guise of androgyny who positions her dead father’s voice as her own female life story, personifies the aforementioned different new center, the “all at one point” Apple describes.

This question presently pervades American culture. It is, for example, at the heart of Ted Kennedy’s political life. A May 23, 1994, New Yorker article, “We’re Not in Camelot Anymore,” proclaims that Ted Kennedy is definitely not Superman: “[F]or the first time in thirty years, Ted Kennedy is campaigning in a Senate race whose outcome is not already certain” the end of star trek: the next generation { 23 (Boyer, 39, 40). Far from being Superman, Ted Kennedy himself needs to be saved from the tarnished image of Kennedy manhood.

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Genre Fission: A New Discourse Practice for Culture Studies by Marleen S. Barr


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