Download e-book for iPad: Cosmopolis by Don DeLillo

By Don DeLillo

ISBN-10: 0330524933

ISBN-13: 9780330524933

Eric Packer is a twenty-eight-year-old multi-billionaire asset supervisor. We subscribe to him on what is going to develop into a very eventful April day in turn-of-the-twenty-first-century big apple. He's on a private odyssey, to get a haircut. Sitting in his stretch limousine because it strikes throughout city, he unearths the town at a digital standstill as the President is traveling, a rapper's funeral is continuing, and a violent protest is being staged in instances sq. by means of anti-globalist teams. so much worryingly, Eric's bodyguards are involved that he could be a aim ...An electrifying learn in affectlessness, infused with deep cynicism and measured detachment; a harsh indictment of the life-denying traits of capitalism; as brutal a dissection of the yank dream as Wolfe's "Bonfire" or Ellis' "Psycho", "Cosmopolis" is a caustic prophecy all too speedy realized.

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Additional resources for Cosmopolis

Sample text

1S So, to 'save the ideal of validity [the theorist] has to save the author as well'i '" Hirsch actually agrees with Wimsatt and Beardsley's 'intentional fallacy' in so far as it applies to evaluation and judgement. That is, to judge the artistic success of, for example, Hardy's Tess oftheD'Urbevilles and Hardy's effectiveness in communicating whatever it was he wanted to communicate, a distinction has to be made between the author's intentions and the work itself, otherwise there would be nothing to evaluate.

The 'intentionality' of the chair's structure can only be defined and described by resorting to what is outside. To put it another way, the chair is not 'aimed' at itself, autonomous, it requires a sitter. The image of intention as represented by the chair is therefore invalidated when it comes to its applicability in relation to de Man's discussion of the 'aesthetic object'. But perhaps this reading is in bad faith. It is possible that 'the chair' is only used by de Man when he wants to present the idea of hypostasis in Wimsatt and Beardsley, and that the 'hunter' image is not a refinement of the previous ('founding') image, but used to represent the 'poetic act'.

This second issue of meaning is ascribed much less emphasis in the essay. As with the 'Murder Case Man's "Threat" to Shoot Teddy Bears' text, it is a question of evidence. Wimsatt and Beardsley see 'a difference between internal and external evidence for the meaning of a poem'i'" Today we would understand it as the difference between meaning as determined by considerations of the text itself, and meaning as determined by information gleaned from sources other than the text, in other words, the very antithetical camps we are attempting to mediate between.

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Cosmopolis by Don DeLillo

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