Read e-book online Archipel et Nord PDF

By Claude Simon

ISBN-10: 2707325945

ISBN-13: 9782707325945

Parus en 1974 dans les revues finlandaises, Archipel et Nord sont des poèmes en prose issus d'un voyage dans les airs, sur terre et sur mer. Archipel survole le « tissu de prés de bois de champs parallèles ». Les mots, les fragments de words sont éparpillés sur l. a. plage comme les îlots de « fin-land suo-mi : terre des marais ». Comme dans toute son œuvre, ici aussi Claude Simon est peintre. Les couleurs, les jeux de lumière, de nuages, le liquide et le végétal sont rendus avec une précision fluide. Sous le ventre de l"avion, c’est tout un monde de feu, de monstres issus des mythologies nordiques. Nord est une expérience existentielle, éclatée dans le poème, words interrompues par les croquis de villes, de maisons, rythmée de noms de lieux scandés avec jubilation : Sevettjärvi, Tcherksii, Anatyrle Baïkal… Un monde à l. a. Tchekhov qui renvoie pourtant à « comme quelque selected de sudiste », à cette Méditerranée d’où vient l’auteur. Qui avance sans bruit « dans l’enfance dans l. a. vieillesse su monde ».

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In postmodernity, the periphery as the Other (of the centre) both asks for legitimation for its own accounts of modernity and forces the centre to see The Case of Argentina and Greece | 35 itself “through the prism” of the periphery. The historical practice of the project of modernity in peripheral countries reveals not only the heterogeneity and hybridity inherent in modernities produced within the periphery but it also makes us consider that European and North Atlantic “archetypal” modernities are not themselves rigid and homogeneous but products of syncretist processes whereby cultures constitute themselves.

Hence, in order to understand the notion of syncretism in Borges, Piglia, Kalokyris and Kyriakidis and value the literary and ideological alternatives that their aesthetics have offered in two countries where a politically engaged literature prevailed for the most part of the twentieth century, first we need to consider the complexity of Argentina’s and Greece’s “peripheral” modernities and postmodernities. Centre and Periphery For Jürgen Habermas, the project of modernity has been founded on the Enlightenment belief that the exercise of critical reason and scientific method can lead to a greater understanding and control of nature, society and human psyche.

Nonetheless, considering the postmodern as something that always precedes the modern, Lyotard effectively detects a conceivable yet not representable sublime also within postmodern aesthetics. Notwithstanding that Lyotard denies the existence of any master narratives which claim to present universal truths, he does not entirely deny the existence of the sublime. It is precisely therein that lies the fundamental difference between Lyotard and other contemporary theorists like Jameson (1985, 1991), Alex Honneth (1985), Steven Connor (1989), Nancy Fraser and Linda J.

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Archipel et Nord by Claude Simon


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