After the future: the paradoxes of postmodernism and by Mikhail N. Epstein PDF

By Mikhail N. Epstein

ISBN-10: 0870239732

ISBN-13: 9780870239731

This e-book brings jointly for the 1st time in English the key writings of Mikhail Epstein, one in every of post-Soviet Russia's so much trendy theoreticians of cultural reviews and postmodernism. Written from a non-Western standpoint but educated through a familiarity with Western literary conception, it bargains a clean, lucid viewpoint at the postcommunist literary scene in addition to a realistic and theoretical advent to the recent self-discipline of Russian "culturology." After the long run is usually the 1st e-book to include the advance of up to date Russian tradition in the framework of postmodernism, an idea whose program has been formerly restricted to the West.
 
     The 4 sections of the ebook - Literature, Ideology, tradition, and method - replicate the interdisciplinary variety of postmodernism in modern Russia. Epstein explores such influential new traits in Russian literature as conceptualism, metarealism, "rear-garde" and discusses the formation of a post-Marxist ideological milieu characterised by means of a paradoxical mix of relativistic and totalitarian patterns.

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Additional info for After the future: the paradoxes of postmodernism and contemporary Russian culture

Sample text

The poetic currents that were formed in Russia at the beginning of the twentieth centurysymbolism, acmeism, futurismhave unexpectedly reemerged as a new poetic triad: metarealism, presentism, conceptualism. This is not to say that those original movements have simply been renewed; rather, there has occurred an expansion of poetic boundaries, a restructuring of the figurative space of sign systems. In their time, symbolism and futurism delineated two opposing means of relating the word to its signification.

It is hoped that this practice will appropriately reflect an increasing familiarity with Russian culture, in that the name of a nineteenth-century writer such as Aleksandr Pushkin retains an exotic aura, while that of contemporary poet Alexander Eremenko is immediately recognizable. Spellings preferred by contemporary cultural figures with established reputations in the West have been used insofar as we were aware of them. Thus the reader will encounter Vassily Aksyonov rather than Vasily (or Vasilii) Aksenov and Ilya Kabakov rather than Ilia.

In Chapter 1, "New Currents in Russian Poetry," he states that poetry serves a purifying function in culture, sloughing off deadened layers of linguistic cliché either by repeating catchwords and slogans ad nauseum, until their lack of true meaning becomes blatantly apparent, or by restricting the poetic lexicon to archetypal terms proper to ancient civilizations. In his many articles on the conceptualist aesthetic that predominated in Soviet underground art of the 1980s, Epstein Page 8 argued that this was a quintessentially postmodern movement.

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After the future: the paradoxes of postmodernism and contemporary Russian culture by Mikhail N. Epstein


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